RAY BRADBURY, my Neighbor

Gate to the property where Ray Bradbury once lived.

This week marks the 100th anniversary of Ray Bradbury, the author of The Martian Chronicles, Fahrenheit 451 and so much more. Until his death in 2012 he was my neighbor. I never saw him, but I often passed his modest yellow house in Los Angeles, just a few short blocks from mine, as I drove home from the supermarket. I remember loving his books when I read them in high school and college. In 2012, when I read in the paper that he had died at the age of 91, I wondered what would happen to the house that had been his home for more than fifty years. Then one day, as I drove by, I saw bulldozers knocking it down. Over the next year, in its place, a striking modern architectural edifice rose up and filled the property. Ray Bradbury fans were appalled, but it was too late. (For a time line of the house’s history, click HERE.)

View of the house from the front gate

On a recent daily walk, I passed the property and saw it up close for the first time. Much of the new house is hidden behind dense shrubbery. At the entrance is an elaborate iron gate whose design is made of intersecting letters. As we passed, I noticed a small sign. It reads:

Ray Bradbury, American author and screen-writer, wrote many of his greatest works in the home that once stood on this site. To pay homage to his life and spirit, the design of this gate incorporates his words.

“Living at risk is jumping off a cliff and building your wings on the way down.”
"I never ask anyone else's opinion. They don't count."  
"Don't think. Thinking is the enemy of creativity."
“Stuff you eyes with wonder,” he said, “live as if you’d drop dead in ten seconds.”
"Everyone must leave something behind when he dies, my grandfather said." 

Then, as I looked closely, I could see the words embedded in the gate design. While individual words and letters are discernible, it is a bit hard to distinguish the whole quotes among the surrounding metal. Even so, the fact that they are there to connect us with Ray Bradbury and his work means he is still part of our neighborhood.

After finding the sign, I wanted to read Ray Bradbury’s books again. When I went to the Los Angeles Public Library website I discovered that many of his books are available to borrow as digital copies. I checked out Dandelion Wine (1957), his semi-autobiographical book about his growing up years in Waukegan, Illinois (renamed Green Town in the book) and downloaded it to my computer. As I have been reading the stories–about making dandelion wine, the pleasure of fresh cut grass in the summer, his elderly neighbors and their “Green Machine”, and more–they bring back memories of childhood visits to my grandparents' house in Kenosha, Wisconsin, a similar midwestern town just up the road from Waukegan. While the time period of Bradbury’s stories about Green Town is nearly a century ago, the essential human qualities of the characters are universal.

A side gate to the property is also embedded with Ray Bradbury's words. Behind it is a glimpse into the densely planted garden surrounding the house.

I never would have discovered the sign on the gate if it hadn't been for the need to get out of the house in our self-isolation in response to the corona virus. My perspective has changed as I take my daily walks through my Cheviot Hills neighborhood in West Los Angeles. I see things up close. I have more time to linger and take a second look. I hear the birds sing and the noisy flocks of parrots foraging in the eucalyptus trees overhead. I see my neighbors’ houses and the diverse ways that they have landscaped their front yards. And I have rediscovered Ray Bradbury, one of America’s greatest writers.

(Republished from my travel blog The Intrepid Tourist 5/4/20.)

MEET CAROLINE ARNOLD, Feature Article in Cheviot Living Magazine

Several months ago I was interviewed for an article in my neighborhood magazine, Cheviot Living, by local resident Gabrielle Michel. (The neighborhood where I live in Los Angeles is called Cheviot Hills, inspired by the hills on the border of Scotland and England of the same name.) Gabrielle did a great job and I thank publisher and editor Joe Schneider for featuring my work and introducing it to my neighbors. I met Joe last spring in conjunction with the Cheviot Art Crawl, an annual event in which artists who live in the area open their studios to the public. I plan to participate in the Art Crawl next spring.

Here is the text of the article:

Meet Cheviot resident and artist Caroline Arnold! Caroline grew up in Minneapolis, Minnesota, and spent most summers at a small camp in northern Wisconsin. It was there that she began to develop a love for nature and the outdoors (which would ultimately become her muse for her art pieces and environmentally-conscious children’s books, of which she’s written over 170 to date). Caroline attended Grinnell College in Grinnell, Iowa, where she majored in art and also studied English literature. Following that, she attended the University of Iowa in Iowa City, Iowa, and received her M.A. in art in 1968.

Caroline began writing books for children more than twenty-five years ago when her own children were small. She illustrated a few books and then worked with photographer Richard Hewett for many years creating photo essays about animals. The books she illustrates today are inspired by her experience working with Richard. They read like true stories, following the lives of animals from birth to finding independence, and teach simple themes to children about growing up. The books have also been a major avenue to showcase Caroline’s art creations of paper cut-out shapes.

Says Caroline about her paper cut-outs: “I rely heavily on the outside edges of each piece of paper because it’s those lines that define the shapes of the objects. I use flat colors so I depend on contrasting hues and a layering process to create depth. Thicker art stock paper, when layered, gives a nice, although minute, three-dimensionality that really brings the animals to life and allows them to `pop’ off the page.”

Caroline has found that for animals that live underground or underwater, are active at night, or live in remote locations, often a drawing is better than a photograph for showing their behavior.

Says Caroline about her books: “[these books] are intended for kids in early elementary school so the pictures have to be big and bold, with a poster-effect, and fill both pages, so when a teacher reads to her class, the students can see the images clearly from the back of the room.” While the stories themselves are full of information and can be found in school libraries, they are also good for pleasure reading and are available at book retailers.

Caroline’s favorite aspect about her art is the fact that it’s so scalable: while intended as book illustration, it can also be framed or made into prints to hang on a wall. She’s also used these images to create great greeting cards.

Caroline’s paintings and drawings have been exhibited in numerous galleries and competitive shows. Caroline plans on making her Cheviot Art Crawl debut in 2019. She lives with her husband, Art (name not coincidentally on purpose), who sometimes helps with photography for her books. Their children are grown and flew the nest long ago.

To visit her works, see:

http://www.carolinearnoldbooks.com/

https://carolinearnoldportfolio.blogspot.com